Thursday, 7 June 2007
Carrie Interstice split screen Carrie// Carrie noosphere
Suggestions for split screen in cinema please?
Notes:
The Cinema of the Interstice: Jean-Luc Godard's Prénom Carmen and the Power of Montage
it will be defined ideally by a reversal where the image is unlinked and the cut begins to have an importance in itself. The cut, or interstice, between two series of images no longer forms part of either of the two series: it is the equivalent of an irrational cut, which determines the non commensurable relations between images. It is thus no longer a lacuna that the associated images would be assumed to cross; the images are certainly not abandoned to chance, but there are only re-linkages subject to the cut, instead of cuts subject to the linkage.
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In short, the three cerebral components are the point-cut, re-linkage and the black or white screen. If the cut no longer forms part of either of the two series of images which it determines, there are only relinkages on either side. And, if it grows larger, if it absorbs all the images, then it becomes the screen, as contact independent of distance, co-presence or application of black and white, of negative and positive, of place and obverse, of full and empty, of past and future, of brain and cosmos, of the inside and the outside. It is these three aspects, topological, of probabilistic and irrational. which constitute the new image of thought. Each is easily inferred from the others, and forms with the others a circulation: the noosphere.
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